Archive for the ‘Uncategorized’ Category

Book two arrives!

Tuesday, June 28th, 2011

dark_mountain_cover_image-2

I’d like to issue a belated apology for the fact that this blog has been less than active over the past couple of months. I have plenty to say, but I – we – have little time to say it at the moment. Ideas and contributors for guest blogs to fill this gap are very welcome - please drop us a line if you have something to say and we’ll consider it.

Two things have been taking up all our time here at Dark Mountain HQ. One is the festival, which approaches steadily (tickets can still be had here.) The other is our second anthology of Uncivilised Writing.

And now – here it is! Delivered to our doorsteps in dozens of hefty boxes this week Dark Mountain 2 is, I’ll say without any modesty, a beautiful object. A stunning cover, classy, careful design by our friends at Bracketpress and what I hope is some diverting, radical and necessary content.

I don’t want to go on about the thing at length, because I believe that when a book appears in the public domain it’s time for its creators to take a back seat and let readers decide what to make of it. But I will just list a few of my own personal highlights here:

  • The cover (above). Designed and created by Dartmoor artist Rima Staines, in collaboration with Christian Brett at Bracketpress, it really does make the first glimpse of the book a ‘wow!’ moment. This is the first in a series of original covers we’ll be commissioning from various artists for future anthologies.
  • Poetry by Albert Pierce Bales. We were alerted to Albert’s work by a friend of the Project, and I’m glad we were. Albert Bales is an American poet who has seen the sharp end of the ongoing collapse of that country’s economy. Made jobless and homeless by the financial crisis of 2008, his poems are sharp insights into what happens when you fall, and where you end up.
  • Reflections on language. Quite accidentally, this issue sees a collection of essays on the use and abuse of language. Rob Lewis and Matt Szabo both analyse the cold language of contemporary environmentalism and find it not only wanting but a contributing factor to the cultural crisis which the greens are trying to solve. Catherine Lupton, meanwhile, takes gentle issue with Alastair McIntosh’s article from book one, and a fruitful synthesis ensues.
  • Two new stories by Nick Hunt. For my money, Nick is one of the most interesting and relevant (sorry about the dread word, but I think it’s justified this time) short story writers in Britain, and I’m very pleased to be publishing him. Nick will be running a workshop on writing at the festival in August.
  • High Water Mark. This collaboration between poet Dan Grace and visual artist Laurence Lord is an elegantly-drawn (in both senses) reflection on whether decline is really decline after all.
  • Two articles by Luanne Armstrong. Luanne is a Canadian farmer, inheritor of her family land, and she writes about landedness and its complexities in a way that is rare outside the work of, say, Wendell Berry. Plenty of writers have something to say about farming, but few farmers can write (or have the time).

The book is on sale now elsewhere on this website, so if you’d like a copy you can get one. If you pre-ordered through Indiegogo your copy should be with you any day now (signed copies will take a little longer). And if you would like to blog about it, tell your friends, alert your networks or try and get it reviewed somewhere, that would be marvellous. I do believe that we are doing important work in these books, and I would like them to be noticed.

Come and join us in the woods!

Tuesday, June 7th, 2011

Yesterday, Paul and I finally got to see this year’s festival venue at first hand, and we’ve come back excited.

Last year’s event in Llangollen certainly had a dark and mountainous backdrop. When I look through people’s Uncivilisation photographs, though, I’m struck by the monotony of spotlit figures on a huge black stage. When we set out to plan this year’s event, we knew we wanted something rather different, a space more fitting to the conversations and encounters Dark Mountain is all about.

Having seen it at first hand, the Sustainability Centre is definitely that. The site is an eight mile journey from Petersfield station, which takes just over an hour from London Waterloo. On the weekend, the centre will run a shuttle bus backwards and forwards – and there’s also talk of a bike convoy from Petersfield on the Friday evening.

The main speakers and bands will be playing in a marquee, surrounded by a cluster of stalls, teepees, a campfire and an outdoor bar serving real, local beers. Nearby is the large yurt we’ll be using for some of the workshops, along with a couple of other campfire spots, and the paths which lead down into the woods. Once it’s all set up, I’m picturing something a bit like Asterix’s village!

The camping area is a minute or so’s walk from where it’s all happening, nearer to the entrance to the site, which is also where the car park will be. Meanwhile, a similar distance in the other direction is the beautiful structure built by Ben Law as a woodland classroom, which will house our writing and storytelling sessions and the evening Power Down performances. I’d seen pictures of this, but you don’t get the full effect until you’re there in person. Hopefully this video gives some sense of the space, though:

We hope you’re getting as excited as we are about the festival. I’ll be posting more details of the programme over the next few weeks. Meanwhile, you can go to our festival website for lots more information and to book your tickets!

Glyn Hughes, 1935 – 2011

Wednesday, May 25th, 2011

glyn

I was very sad this morning to be told of the death of Glyn Hughes, a friend of mine and of this project, from cancer at the age of 76.

Glyn was a fine poet and writer, whose long writing career (there’s a good summary of it here) explored the depths of the human and non-human life of Calderdale in Yorkshire, where he lived for more than forty years and where he died last night, peacefully at least, in his own home. Glyn was diagnosed with cancer two years ago and had prepared for the end with a stoicism and peace of mind that impressed and moved me when I last saw him, just a couple of months ago.

It’s a strange thing, life, and death is stranger still, and unknowable. Two months ago I visited Glyn’s house in the village of Mill Bank as a beautiful, singing spring came up over the former industrial areas of Yorskshire. I visited him to record a conversation, which I turned into an article for the forthcoming second volume of Dark Mountain – a book which I had hoped Glyn would live to see, containing as it does the interview I did with him, a selection of his poems and any number of other pieces of writing by people from all over the world which touch on the concern for nature and human connection which he wrote of all his life.

As I left that day, and said goodbye to Glyn on the doorstep, I looked into his eyes and I knew – and knew that he knew – that I would not see him again. Sometimes these things happen and can’t be explained, but the solidity of them can’t be denied either. It was a moving experience, and a strange one, and a fitting end to the conversation we had had for two hours before that. This conversation will appear in issue 2 of Dark Mountain, which comes out in June, but I’m pre-publishing it now also on my website as what I hope is a fitting tribute to Glyn and his work.

Glyn’s last volume of poetry, A Year In The Bull-Box was a moving, simple and often very powerful series of reflections on the approach of death and the meaning of life in its shadow, and I can highly recommend it. I don’t think he would have minded me reproducing one of its highlights here.

Glyn described his work, in that last conversation with me, as ‘a protest on behalf of nature.’ To be remembered as such a protester seems to me a good and fitting epitaph.


Salmon in Twiston Beck

Life is beginning again. In twilit winter
the messengers swim poking and feeling out of Nature
as under the skim of rain-clouded beck two salmon,
ghosts that recently held power
against an ocean, return to die in their known bourn.
Firstly under the coverlet of hurrying water
in their coupling they lie.

With their sacrifice and last fling
they have come into my world
yet leave a chink in theirs that shows
I am not the owner of my planet
even in imagination: the salmon
are too different. Yet the salmon’s
log-like sickness couples with my own
while cancer-blood does its bad work on my eyes.

Yet in the virtue of sight before it dies
I have come into my self, my joy
on this edge where death’s blindness surely
will peer into another life
in the small rest of night’s sleep
in the longer rest of winter
and in the long, last rest of all.

Would Like To Meet

Monday, May 23rd, 2011

I just got back from Cumbria, where Paul and I spent the weekend working on this summer’s festival. It was also a chance to think about why it matters to us to bring people together face-to-face like this. Last year’s gathering was such a blur, it was only when I sat down later to watch Raphael Faer’s film – ‘The People of Uncivilisation’ – that I took in quite how much impact the weekend had had on people. Here’s a clip of some of the interviews he did with festivalgoers:

One of the high points of the past two years for me was the encounter back in September with David Abram, author of ‘The Spell of the Sensuous’ and ‘Becoming Animal’. Over the last couple of months, David and I have worked on turning the film of our conversation into a written dialogue, to be published in Dark Mountain: Issue 2. What was striking was how much work it took to create an adequate reflection of our encounter, reduced to the thin stream of letters on a page. As David wrote in one of his emails, “What makes sense and works well on video when the gesturing body is visible and the rise and fall of our audible voices is heard, makes less sense in the absence of those enfleshments.“

I was reminded of this by recent experiences on the Uncivilisation Network, another of this project’s online homes. We created the Network in the run up to last year’s festival, to give people a way to make contact with each other in advance, arrange lift-shares and make preparations together. Since then, it has grown to a membership of nearly a thousand people around the world, with forums, blogs, videos and events.

Most days, I read through the profiles of new people joining the site. Many of them reflect a sense of excitement and deep connection on having discovered Dark Mountain. I read these profiles and I want to meet the people behind them, to listen to more of their stories and to share in the fears and hopes which they describe.

I also wonder what they make of the rest of the Network. As online spaces go, it is not particularly active – there are nice bursts of energy, when someone starts a local meetup group, or posts about an experience they recently had – and then there is the Forum, which is often home to a small and argumentative collection of regulars. Last week I got fed up with the unpleasantness and started closing threads and, in one case, deleting posts which had deteriorated into mutual abuse. The contrast to the experience of reading new member’s profiles was painful. As I waded through these long-winded and ill-tempered discussions, I felt that I didn’t ever want to meet any of these people. And yet, as I corresponded privately with several of those involved, I was quickly reminded that we are more than our words and behaviour in these spaces suggest. Once again, here is the difficulty of threading the messy reality of our selves through the needle’s eye of written language.

All of this came at a good moment – because it brought home to me why the festival matters to me. In all honesty, there are times when Paul and I have questioned our sanity for trying to organise an event like this, on top of all the other unfunded and unpaid work that goes into Dark Mountain. But there is a sense of being bound by the way this project matters to people – and a desire to honour that by creating spaces where we can come together and share conversations that matter, pockets of sociable, playful-serious reflection and companionship.

I’ve no desire to do another head-to-head session with the likes of George Monbiot, or to be running around for a week on three hours sleep a night, or to line up an audience in serried rows in front of spotlit speakers on a huge black stage. That’s why I’m glad we’ve got a different kind of venue, a gentler schedule and a wonderful gang of skilled and dedicated people helping to make this year’s festival happen.

There is a story about Ivan Illich, which is told by his friend Barry Sanders:

At one point during a talk in Maine, in the midst of Ivan describing his mistrust of electronic technology and in particular his terror of e-mail, a young man leapt to his feet and shouted out, ‘But, Mr. Illich, don’t you want to communicate with us?’ Ivan immediately shouted back, ‘No. I have absolutely no desire to communicate with you. You may not interact with me, nor do I wish to be downloaded by you. I should like very much to talk to you, to stare at the tip of your nose, to embrace you. But to communicate – for that I have no desire.’

Rereading that story, I think: yes, this is what I want from this year’s festival: a break from all this “communications technology”, a chance to meet you in the flesh, to be in each other’s presence, to get up each other’s noses – in a good way!

This year’s UNCIVILISATION festival happens at the Sustainability Centre in Hampshire, 19-21 August. Full information here.

Prepare for the summer!

Thursday, May 12th, 2011

flyer

It’s just over three months to go now until Uncivilisation 2011, this year’s Dark Mountain Festival. I’ve just spent a day updating and revamping the festival website, and in the process I’m struck by just how exciting this occasion should be. Not only do we have a terrific menu of speakers, musicians, poets, craftspeople, thinkers and doers, but we also have a venue which is both wilder, less civilised and more beautiful than Llangollen in 2010, and is also more convenient for festival-goers, with camping at the heart of the site, and locally-sourced food and drink provided by small-scale producers.

It’s going to be a great event, this. Most of all, it’s going to be a good opportunity for a coming-together of like-minded souls at a time when much of what Dark Mountain began talking about two or three years back is beginning to play itself out on the world’s stage. Talk of collapse, contraction, radical change and the overturning of certainties no longer seems like fringe stuff: it seems increasingly central to life here in the overdeveloped world, as it has been elsewhere for so much longer. What do we do with that knowledge? Answering that question is what this weekend is about.

As you’ll see when you visit the festival website, tickets are on sale now, and are already selling steadily. Our task now is to sell more of them over the next few weeks, so we can really build up momentum for this event.

Summers are pretty crowded these days. There are festivals and other cultural events everywhere, all competing for attention. On top of that, these are straitened times, when money to buy tickets for events like this might not be as freely available as it has been in the past. But we hope that these factors won’t prevent the festival from selling out. Over the next few weeks we’re hoping to prove this by having a push to sell tickets and to spread the word.

What we have on our side, I think, is that this festival is a genuinely unique event. There is nothing quite like this going on anywhere else in the country – a forum for people to come together and honestly discuss and plan for a radically different future, and to do so in ways which are sensitive to human need, to history and to the need for cultural engagement. At what other gathering this year could you listen to poetry and music, engage with writers in a workshop about new and old myths, plan parallel infrastructures for a depleted world, forage for wild food, help set up a new university, talk with others about buying land to produce food on, discuss the future of publishing, land reform and literature, drink good beer, eat good food and present your own event to an assembled audience?

The answer, I can confidently say, is ‘nowhere’. So if you feel like coming along to this year’s festival, we can promise you an experience unlike any other. It’s going to be an intimate event: a few hundred people on a fifty acre site, performers and audience all mingling and merging and re-emerging, all part of the same conversation.

We can also promise those of you who came last year a number of improvements, based on your feedback. No halls of people sitting in chairs listening to speakers on stages; instead, more intimate engagement in tents and small-scale buildings, and outside in the grounds. Better food and drink, better camping, a wilder and more human-scale atmosphere and – perhaps crucially – more time and space for people to do their own thing, plan, talk and meet away from the structures of the main roster of events.

If this appeals to you, there are three things you could do to help us ensure it really works to its potential. The first, of course, is to buy a ticket. Numbers are limited, and while there are a good number remaining right now this may not, if last year is anything to go by, be the case for long. So please do book your place if you want to be part of the journey.

The second thing you could do is tell your friends: by word of mouth, through social media or through any other way that works for you. Please point people towards the festival site and tell them what it’s about.

Finally, we are looking for people to distribute flyers and posters (that’s one of them at the top of this post). If you know of places – cafes, social centres, and the like – which seem like the right places to leave some flyers or put a poster on the wall, please let us know (email info@dark-mountain.net)and we can get you some in the post to distribute in your area.

We very much hope to see you there.

Control, and other illusions

Wednesday, April 27th, 2011

We’re getting closer to the funding target for Dark Mountain Book Two. Our appeal last week brought in 25 new orders, and we’re now just three short of having pre-sold 100 books! A heartfelt thanks to all of you who have so far ordered – we take your faith in this project seriously, and we’re working hard to reward it.

What’s interested and excited both Dougald and I is discovering just how far our work is travelling. We’ve come across people talking about the first book from Stockholm to Chile, and many places in-between. It’s influenced academics, playwrights, poets and politicians. And that was just the start. We think we really have a chance of influencing the way writers and artists are working, and getting some new and radical ideas out there as our ways of thinking and our old assumptions continue to fall away.

We’re nearly there for book two – we’ve raised over $3,600 and have less than $1,400 to go. In case you’re still wavering, here’s a taster from the book itself – the editorial. Please do pass it around to like-minded others.

We’re approaching the finish line, and now we need a final burst of energy to cross it! You can help provide it here. Thanks!

Dark Mountain 2 – a preview and an appeal

Thursday, April 21st, 2011

Last week, Dougald and I sent the contents of the second Dark Mountain anthology off to our collaborators at Bracketpress. The book will be available to get your hands on as of Friday 17th June. We’re excited about this – confident that this book is an improvement upon the first and that, again, we have been able to discover and publish some provocative and thought-provoking new voices, as well as giving space to some of the best familiar names.

We’re posting this blog now as part of a final push for pre-orders of the book. We need to raise just over £3000 to pay for its printing and design costs. So far we have raised over £1600 of this, through 70 orders of the book, some of which have been fantastically generous. But we need to raise the rest soon. So it’s time to ask you to reach for your wallets.

If you’d like to read the book, and can afford it, and would like to support the Dark Mountain Project in getting it off the presses, it would be fantastically helpful if you could pre-order a copy now on our Indiegogo site.

The other thing you can do to help is to spread the word - through word of mouth, or social media, or any means that works. The Dark Mountain Project does not receive any external funding – everything we have to spend on our publications comes from the people who support us by buying them in advance of their publication. If you can do that this time around, it will help us to get our second collection of Uncivilised writing out into the world, where we think it is sorely needed. We’re confident that you won’t be disappointed when you see it.

If you’re still undecided – well, here’s a sneak preview of the contents of this issue. As you’ll see, we’ve grouped our submissions this time by theme. We didn’t plan to do this when we began compiling the book, but we were struck when putting it together how many cross-connections there were. It was almost as if the authors were holding a conversation with each other without knowing it. It was fascinating to see, and I think it speaks to some obvious common themes emerging around this project.

Here’s the list. Tell your friends, spread the word, and please pre-order if you can. We really appreciate the support that we know is out there for the way this project is growing.

On Death

Vinay Gupta – Death and the Human Condition. On Hinduism, nature and the West’s denial of death
Dan Grace and Laurence Lord – High Water Mark. An illustrated poem.
William Haas - Coal Sarcophagus. A flash fiction
Glyn Hughes - Three poems
Paul Kingsnorth – Upon the Mathematics of the Falling Away.  On stoicism, suicide and hope
Paul Kingsnorth – The Salmon God. In conversation with poet and nature writer Glyn Hughes
Simon Lys – Fragments of a shared madness. A short story

On History

Albert Pierce Bales – The Velvet Meat Grinder. A poem
Warren Draper – The Shuttle Exchanged for the Sword. Rehabilitating the Luddites 200 years on
Dougald Hine – Remember the Future? Finding hope in myth and improvisation
Antony Lioi – Trilobite. A poem
Venkatesh Rao - The Return of the Barbarian. A new take on the history of civilisation
Em StrangTwo poems

On Language

Dougald Hine – Coming To Our Senses. A conversation with David Abram, author of ‘Becoming Animal’ and ‘The Spell of the Sensuous’
Wilfried Hou Je Bek - Poetry first, Engineering second. Uncivilised writing meets PrimatePoetics
Rob Lewis - The silence of Vanishing Things. On the failure of the greens to use the right words
Catherine Lupton – Wandering around with Words. A response to Alastair McIntosh
Matt Szabo – ‘Sustainable Energy will Destroy the Environment.’ Discuss. On the dangerous rhetoric of market-compatible environmentalism

On Love

Darren Allen – this autumn everyone is going to fall in love. A plan
Jay Griffiths – A Love Letter from a Stray Moon. An extract from Jay’s forthcoming novel, inspired by the life of Frida Kahlo
Joel Moore – Resignation. A poem
Mario Petrucci - Crib poems
Robert Walker – The Record Keeper’s Visit to Spurn Point. A poem

On Place

Luanne Armstrong – The place looks back. On belonging and heritage in rural Canada.
Luanne Armstrong – Farmer. A farmer separates the myths from the realities of agricultural life
Antonio Dias – Something for Nothing. An extract from an ongoing novel
Charles Hugh Smith – The Art of Survival, Taoism and the Warring States. A hick’s perspective on how to ride out difficult times
Tom Keyes – Black Isle Pheasant Stew. A recipe
Benjamin Morris – Two poems
Chris T-T – Empties. A photographic series
Stephen Wheeler –  American Road Movie. A poem

On Nature

Melanie Challenger - The forgotten farm. An extract from Melanie’s forthcoming book ‘Extinction’
Andrea Dulberger – Parallel Lives. A poem
Nick Hunt - The Horse Latitudes. A short story
Paul Kingsnorth – stalker. A poem
Gerry Loose – Fault Line. A poem
Benjamin Morris - Torrey Canyon. A poem
Mat Osmond – Drawing on Water. An illustrated poem
Susan Richardson and Pat Gregory – Too Solid Flesh. An illustrated poem
Heathcote Williams - Wasp Honey. A poem

On Perspectives

Naomi Klein – On Precaution. The futility of progress stories in the face of climate change
John Rember – Consensus and other realities. On R. D. Laing, survivalism and meta-narratives
Wolfbird - The science of imaginary solutions. On what still makes sense as the bottleneck approaches

On Escape

Nick Hunt – My wife designs beasts. A short story
Adrienne Odasso – Mantra. A poem
Paul Kingsnorth – Then we will go to Europe. A poem

On Work

Albert Pierce Bales – Two poems

We hope that’s whetted your appetite for the new book. If so, please do pre-order a copy now, so that we can pay the printers! You can do so by going to our IndieGoGo page. Thank you for all your support!

Uncivilised theatre: players required!

Tuesday, April 12th, 2011

Over the next ten days, we’ll be posting a series of blogs about this year’s Uncivilisation festival, which will look in more detail at what the weekend will offer. To kick off, we feature a short guest post from Douglas Strang, who is creating a unique public art and performance event for the climax of the festival’s Saturday night. Tickets for Uncivilisation 2011 can be bought here.


cernunnos

At this year’s Dark Mountain Festival on the Saturday night, in the woods, there will be a performance of ‘Liminal’: a mix of physical theatre, installation art, poetry and music. Without revealing too much at this stage, I have in mind a kind of modern day ‘mummers play’ which will be low-tech, uncivilised, and participative.

I’m in the process of assembling a group of volunteer ‘players’ who will contribute to the performance. This is an opportunity for anyone who is attending the festival and who would like to be part of a unique Dark Mountain event.

I’m keen to hear from those who already have an interest in the creative arts, but I would also like to encourage anyone who has never done anything like this before to be bold and get involved!

There is scope for participation at all levels, from a role as lantern bearer to playing a principal part or reciting a few lines of verse. Players of acoustic musical instruments would also be most welcome.

If you would like to take part, or are curious to learn more, please contact me via my page on the DM network, or e-mail me at dougs@live.co.uk

I look forward to hearing from you

Uncivilisation is go!

Wednesday, April 6th, 2011

Today we’re putting the tickets on sale for this year’s Dark Mountain festival, Uncivilisation 2011, which takes places in Hampshire from 19th – 21st August. The tickets can be purchased here.

We’re very excited about this year’s event. We’re working hard to ensure that it draws on the strengths of last year’s event in Llangollen – the incredible mix of people and ideas, the speakers and conversations, the art and music – while also hopefully eliminating some of the weaknesses – the too-civilised venue, the over-reliance on a traditional speaker-audience dynamic, and the structural problems such as campsites being too far away and food and drink not being up to scratch. We’ve addressed all these issues this year, and the venue we have chosen – the Sustainability Centre, with its fifty acres of woodland, fields, tents and local food and drink – is much more to our liking (despite the name!)

So, we hope it will be a revealing, exciting and useful weekend. Over the next week or so we’ll be posting blogs up here which will explain a little more about what we hope to do with the four main spaces we have got mapped out – the main space, the writing and storytelling space, the practical space and the open space. But for now, here are some of the people and events we have already booked in:

Among the musicians already lined up to play, we have Get Cape Wear Cape FlyChris T-TMarmaduke DandoThe General AssemblyBill Harbottle and AllieKStewart.

Talks, workshops and activities will include:

-  Jay Griffiths and friends from the Free West Papua Campaign;
-  revisiting the Luddites, 200 years on, with Warren Draper and Dougald Hine;
-  the poets Mario PetrucciMelanie ChallengerEm StrangAdrienne Odasso;
- Vinay Gupta on parallel infrastructures for an uncertain future;
-  land-based strategies with coppicer, straw-bale builder and drystone waller Hywel Lewis;
-  comparing crashes: discussing the experience of economic crisis with speakers from Ireland, Iceland        and the US;
-  Sharon Blackie of Two Ravens Press on publishing, crofting and the future of words;
-  wild food foraging expeditions with Andy Hamilton and Fergus Drennan;
-  writing workshops with authors including Nick Hunt;
-  the symbolism of the scythe with Paul Kingsnorth;
-  a walk and talk with Adam Weymouth, exploring the idea of pilgrimage.

On top of all this, the Saturday night will feature what promises to be a unique and remarkable event, which is being prepared for us by Douglas Strang, the mastermind behind last year’s Dark Mountain mini-festival at Laurieston Hall in Scotland. Those of you who were there might have some idea of what to expect, but we think this is going to be something quite unlike you’d see anywhere else. There’ll be some tantalising hints about that on the blog soon too.

We’re also still open to ideas and offers for music, events, talks and workshops. If you have a proposal, do get in touch as soon as you can.

Tickets for the festival are currently limited to 300, and are already selling, so it’s well worth making sure you get yours before they go. Follow this link to buy yours. Please do spread the word and tell your friends! We look forward to seeing you there.

The quants and the poets

Saturday, April 2nd, 2011

If, a century ago, the keenest talking heads of the age (who would that have been, I wonder: Chesterton, Shaw, Belloc, Jo Chamberlain?) had battled it out amongst themselves about the future of infrastructure and energy, what would that debate have looked like? If, say, they had all agreed on the importance of rolling out a massive, global plan stretching decades into the future, based on endlessly argued-over scientific ‘facts’ which themselves disguised a lot of underlying political, cultural and social assumptions about the way the world is – what would they have been arguing over? Precisely how many ostlers would be needed by 1950? The importance of a large-scale dung clean-up operation on the streets of major cities? A research and development programme to investigate the plausibility of time machines? Sourcing the funding for an urgent nationwide rollout of dirigible charging stations?

Thoughts like these have been drifting into my head, then drifting out again, for a few weeks now, as I have observed the predictably bitter squabble going on in the green community – and, inevitably therefore, in the media – about Fukushima and the future of nuclear power. I am, it is safe to say, no scientist (something I have in common with most of those who hold strong opinions on nuclear power, by the looks of it) and I have no real idea what is currently going on in those Japanese reactors (ditto) I don’t know, either, whether the worst nuclear accident since Chernobyl will turn out to be the high-water mark of the global nuclear industry – something which would apparently be a triumph or a catastrophe depending on which pundit you’re  listening to.

But I do wonder whether it is a high water mark for the greens. For a long time now, the green movement has been in retreat, and that retreat now seems in danger of turning into a rout. From a standing start four decades ago, the greens have seen some of their ideas (mainly the ones about using ‘our resources’ ’sustainably’) spread widely and sometimes deeply into popular and political culture. They have also, inevitably, seen those ideas watered down. I have covered this subject before and don’t intend to do so again here in any detail, but it might be worth reflecting a little bit on the bind the greens are now in.

We all know by now how big, and unstoppable, the global industrial machine is. We know that the global economy relies on resource consumption like a fish relies on gills, and we know that when this imperative is combined with accelerating technological change, a rising human population, the virus-like spread of consumer values, a mass extinction event, a changing climate and resource scarcity in a number of (admittedly contested) areas, the results do not look pretty. When we add all this up we also know, if we are being honest with ourselves, that we are not going to be able to prevent the crash into the buffers – which has already begun – from getting very messy indeed.

At this point, things get complicated. If we are highly politicised people, whose values and self-image are predicated on being ‘activists’ in the cause of preventing such terrible things, we may simply not allow ourselves to be honest about this. This is understandable and I know what it feels like, having been there myself for quite a long time. At this point, we have to lie to ourselves – to go into denial for the sake of our psychological health. So we might pretend to ourselves that ‘one more push’ (ie, doing the same thing yet again) may do the trick. We might tell ourselves that The People are ignorant of The Facts and that if we enlighten them they will Act. We might believe that the right treaty has yet to be signed, or the right technology yet to be found, or that the problem is not too much growth and science and progress but too little of it. Or we might choose to believe that a Movement is needed to expose the lies being told to The People by the Bad Men In Power who are preventing The People from doing the rising up they will all want to do when they learn The Truth.

Whatever the story, it will be a story based on the need for an external event or events, which can only be brought into being by way of more ‘action.’ This way, we can tell ourselves that the only thing to do is to keep on keeping on. After all, the alternative must be ‘giving up’ and watching the world burn.

This is where the greens are today. It is a hard place to be, and it is a place made even more fearsome by the single-minded obsession with climate change that has gripped environmentalism over the last decade. The fear of carbon has trumped all other issues – so much so that  is now common in popular culture to see ‘green’ ideas represented simply as arguments about carbon emissions. Everything else has been stripped away. All that matters now is cutting carbon.

It is in this context that the nuclear rumpus has occurred. The Japanese earthquake and tsunami ripped apart a nuclear power plant, and with barely a day’s grace the pundits were swooping on the place. Most of them seemed to see this tragedy simply as an opportunity to forcefully restate their existing positions on nuclear power – It will kill us! It will save us! – even as the fuel rods were still melting. Some people – like our very own George Monbiot – used Fukushima not to restate their case but to change their mind. But whatever the argument, the growing – and understandable – sense of desperation was the same.

The greens are in a corner. If you believe that climate change will wreck the Earth and that the only way to prevent that from happening is to ‘reduce emissions’ in a fantastically short time period, then you are in a very perilous place. It’s not that this argument is necessarily wrong – it probably isn’t, though the lack of certainty is always worth highlighting. But it is so obviously impossible to do what it is claimed Must Be Done to stop it that futility or despair can end up being the only places to turn.

My feeling is that the green movement has torpedoed itself with numbers. Its single-minded obsession with climate change, and its insistence on seeing this as an engineering challenge which must be overcome with technological solutions guided by the neutral gaze of Science, has forced it into a ghetto from which it may never escape. Most greens in the mainstream now spend their time arguing about whether they prefer windfarms to wave machines or nuclear power to carbon sequestration. They offer up remarkably confident predictions of what will happen if we do or don’t do this or that, all based on mind-numbing numbers cherry-picked from this or that ’study’ as if the world were a giant spreadsheet which only needs to be balanced correctly.

In this, the mainstream green movement is only reflecting and feeding upon wider societal trends. We live in a remarkably literal-minded and reductionistic culture. I’m struck listening to or reading the news, for example, by how nothing is seen to be ‘real’ unless it is sanctioned by the priesthoods of either Science or Business, and preferably both. A culture in which Richard Dawkins and Ian McEwan are seen as intellectual guiding lights is the kind of culture which produces an environmental movement made up of frustrated, passionate people who feel obliged to act like speak-your-weight machines just to be heard.

If we want to move beyond the futility and despair imposed by the cold narrowness of this worldview, where do we look? What is missing here is stories, and an understanding of the importance of stories in getting to the bottom of what is really going on. Because at root, this whole squabble between worldviews is not about numbers at all – it is about narratives.

The fight between the pro-nukers and the anti-nukers, for example, is actually quite archetypal. Though both sides pretend to be informed by ’science’ and ‘facts’ both are actually informed primarily by prejudice. Whether you like nuclear power or not is a reflection of the kind of worldview you have: whether you are a confident embracer of the Western model of progress or whether it frightens or concerns you; whether you trust science or tend not to; whether you are cautious or reckless; whether you are ‘progressive’ or ‘conservative.’ On issues ranging from GM crops to capitalism, these are the underlying stories that actually inform the green debate. That they are then supported by a clutch of cherry-picked facts – easy to come by, after all, in the age of Wikipedia – is a footnote to what’s really going on.

The mess that the greens have got themselves into is at least partly due to them paying more attention to numbers than narratives. Green political thought, in its early incarnations, was radical and challenging. It was about the stories we tell ourselves about the world: stories about progress, industry, the conquest of nature and many of the other narratives that the Dark Mountain Project exists to highlight. The early greens challenged these stories with others, drawn in some cases from ecotopian imaginings about better future but in many more cases from the stories of existing non-industrial societies: the Kalahari Bushmen, for example, who lived for 35,000 years in a culture which managed to survive in remarkable harmony with non-human nature even with lions prowling outside the huts of its people (a story touched on in Dark Mountain book two). You want ’sustainability’? The Bushmen were the longest-recorded human culture. They were genuinely sustainable for longer than we can imagine. Industrial society got them in the end, like it gets everything, but the example remains.

This kind of thing, of course, was what made it so easy to attack the greens as Romantics and primitivists (which some of them were and still are.) In response, environmentalists decided to get ’serious’, so as to be listened to in the corridors of power. They started wearing suits and pretending to be economists and speaking the language of business and science. It was a perfectly sensible approach in many ways, and it yielded many clear dividends.

But it may also have doomed the greens in the longer term, for now they find themselves caught in a narrative of other peoples’ making. Almost by accident, mainstream green politics and argument threw out most of the alternative stories it grew up with, like a child throws out his old teddy bears: that was then, but this is now, and now we are Grown Ups. This approach has left environmentalism in a position where its advocates now find themselves unable to do anything but argue about which machines they would prefer to use to power an ever-growing industrial economy. Any sally outside this tightly-controlled ghetto sees them rained with bullets from all sides: accused of wishful thinking if they talk about zero-growth economies; called snobs and hypocrites if they criticise consumerism; attacked as terrorists if they engage in direct action to protect wild nature; called naive idealists if they ask whether planning for a future much like the present is really such a good idea.

This has always been the case, of course, but now the greens are being heard in the corridors of power the stakes are much higher. A global anti-green movement now exists and is growing in power and influence. Meanwhile, the greens have been taken over from within by smooth-tongued purveyors of business-as-usual without the carbon. The message is clear: stick to arguing about the machines, and you’re welcome to play with the big boys. But drop all the other nonsense, alright? This, demonstrably, is how radical movements die.

I’m currently trying to get my head around exactly how the current economic crisis has happened, and in the cause of doing so I am reading John Lanchester’s book Whoops! which explains it in terms that even people like me can grasp. This evening I was reading Lanchester’s description of how banks have changed in the last few decades. When his father worked in banking it was a staid business populated mostly by non-graduates. Today, if you don’t have a first-class maths degree from Oxbridge you’ll find it hard making it in the industry. This, Lanchester suggests, is part of the problem: banking has become so specialist, so complex, that most people – including many bankers - simply don’t understand how it works.

The maths geeks who now run the futures and options operations in banking are known as ‘quants’. One MBA student quoted in the book reported that on his course the students were required to identify themselves as either ‘quants’ or ‘poets’. That is: did they do numbers, or did they do words?

These days, the green movement is being taken over by quants. It’s easy to see why. Quants present easy, numbered, labelled arguments which may sometimes require a maths degree but don’t require a rewiring of your worldview or an examination of your narrative. A green quant might be telling you to change your lightbulbs or come out on the streets in favour of a nuclear power plant or a windfarm, but he’s not asking you to examine your values or your society’s underlying mythology. And if you talk to him about this, it is very easy indeed for him to laugh and tell you loftily that this is all very nice but is hardly comparable to the serious business of saving the world one emission at a time.

This is the context in which the nuclear squabble is being played out. Here, for example, is an article which claims that renewable energy can’t meet ‘our energy needs’? But our needs for what? Coffee machines and fast broadband, or clean drinking water and living ecosystems? Middle class life in a consumer democracy or a liveable human existence? Or do we now think these are the same thing? If you really want to see where a green quant is coming from, simply catch him in the middle of one of these arguments and ask him (and it usually is a him) to define ‘need’. Then watch the narrative spooling out like film from a broken cannister.

As a poet, of course, I have a vested interest in objecting to this, and I often do, but I don’t do it without empathy or without some doubt. I know why it has happened. This, after all, is an approach designed to produce clear and concrete results – something which is undeniably useful in an age of ecocide. But what narrative framework are the results being produced in? Because it’s that framework, in the end which will determine where those results take us.

Too many green quants, then, and not enough green poets? I think so. Or rather, I think that the poets have been cowed into silence by the dominance and urgency of the quants’ narrative. How to reassert the importance of stories, then, is perhaps a key question now. Green poets might perhaps start by observing that worlds are not ’saved’ by the same stories that are killing them. They might want to observe that saving worlds is an impossible business in the first place, and that attempting to do so is likely to lead to some very dark places. Or they might try and explore what it is about how we see ourselves which reduces us to this, time and time again – arguing about machines rather than wondering what those machines give us and what they take away.

The friction between the quant and the poet could be represented by focusing on a few bickering individuals, or by trying to divide the greens up into Two Cultures. But it could also, perhaps more honestly and productively, be represented as a tension that is present within all. None of us is wholly, or even primarily, rational and analytical, and none of us is quite devoid of poetry either, though it is sometimes hard to find it. These divisions are themselves stories that we, in this particular culture, tell ourselves about how humans work. The quants and the poets are both needed, but I would argue that, right now, the poets ought to take the lead – if indeed that is ever something that poets are capable of. We have no shortage of arguments about numbers and machines, but we do have a great shortage of workable stories. That is to say: stories that don’t just have happy endings, but have convincing plots as well.